Jeff Majors - For Us All
Private Press Spiritual Jazz from D.C's Jeff Majors. Blending beautiful harp & kalimba playing, drum machines (Linndrum) and synth lines, unique combination of instrumentation & vocal layers here. Also holds a cover of John Lennon's ''Let It Be''.. Jeff was one of Alice Coltrane's students at the Ashram and played in Brother Ah's band.. Incl booklet. TIP!
Invisible City Editions reissues a highly sought after and impossibly rare 1986 private-press spiritual jazz LP from Washington D.C. harpist Jeff Majors. Majors was a devoted personal student of Alice Coltrane’s for three years as a teenager, taking harp and spiritual instruction at her home in the Bay Area just before she established her renowned ashram in Huntington, California. Following his tutelage with Coltrane, he returned to the East Coast, joining Sun Ra acolyte Brother Ah's ensemble The Sounds Of Awareness, playing on their classic spiritual jazz LP Key To Nowhere.
Inspired by a trip to West Africa’s Gambia, For Us All (Yoka Boka) and its title track finds Majors coming fully into his own as an artist, fusing the lofty sensibilities he absorbed from the cosmic jazz masters Coltrane and Brother Ah with an accessible sonic palette drawn from the synth-driven electronic sounds of 1980’s soul music, as well as traditional African instruments. Each song on this album is an inspired vision of the personal and the devotional via the harp’s universal glistening tones, shimmering synths, LinnDrum machine and African percussion.
Private Press Spiritual Jazz from D.C's Jeff Majors. Blending beautiful harp & kalimba playing, drum machines (Linndrum) and synth lines, unique combination of instrumentation & vocal layers here. Also holds a cover of John Lennon's ''Let It Be''.. Jeff was one of Alice Coltrane's students at the Ashram and played in Brother Ah's band.. Incl booklet. TIP!
Invisible City Editions reissues a highly sought after and impossibly rare 1986 private-press spiritual jazz LP from Washington D.C. harpist Jeff Majors. Majors was a devoted personal student of Alice Coltrane’s for three years as a teenager, taking harp and spiritual instruction at her home in the Bay Area just before she established her renowned ashram in Huntington, California. Following his tutelage with Coltrane, he returned to the East Coast, joining Sun Ra acolyte Brother Ah's ensemble The Sounds Of Awareness, playing on their classic spiritual jazz LP Key To Nowhere.
Inspired by a trip to West Africa’s Gambia, For Us All (Yoka Boka) and its title track finds Majors coming fully into his own as an artist, fusing the lofty sensibilities he absorbed from the cosmic jazz masters Coltrane and Brother Ah with an accessible sonic palette drawn from the synth-driven electronic sounds of 1980’s soul music, as well as traditional African instruments. Each song on this album is an inspired vision of the personal and the devotional via the harp’s universal glistening tones, shimmering synths, LinnDrum machine and African percussion.
Private Press Spiritual Jazz from D.C's Jeff Majors. Blending beautiful harp & kalimba playing, drum machines (Linndrum) and synth lines, unique combination of instrumentation & vocal layers here. Also holds a cover of John Lennon's ''Let It Be''.. Jeff was one of Alice Coltrane's students at the Ashram and played in Brother Ah's band.. Incl booklet. TIP!
Invisible City Editions reissues a highly sought after and impossibly rare 1986 private-press spiritual jazz LP from Washington D.C. harpist Jeff Majors. Majors was a devoted personal student of Alice Coltrane’s for three years as a teenager, taking harp and spiritual instruction at her home in the Bay Area just before she established her renowned ashram in Huntington, California. Following his tutelage with Coltrane, he returned to the East Coast, joining Sun Ra acolyte Brother Ah's ensemble The Sounds Of Awareness, playing on their classic spiritual jazz LP Key To Nowhere.
Inspired by a trip to West Africa’s Gambia, For Us All (Yoka Boka) and its title track finds Majors coming fully into his own as an artist, fusing the lofty sensibilities he absorbed from the cosmic jazz masters Coltrane and Brother Ah with an accessible sonic palette drawn from the synth-driven electronic sounds of 1980’s soul music, as well as traditional African instruments. Each song on this album is an inspired vision of the personal and the devotional via the harp’s universal glistening tones, shimmering synths, LinnDrum machine and African percussion.
