Fabiano Do Nascimento - Mundo Solo
Far Out Recordings proudly presents the new album from Brazilian guitarist and composer Fabiano do Nascimento.
Recorded at his home studio in Los Angeles (2020) Mundo Solo is fundamentally the sound of a man alone with his instruments.
Utilizing a variety of guitars, including 6, 7 and 10 strings, Oktav guitar and electric baritone guitar, alongside a host of pedals and synthesizers, Fabiano tracked imagined landscapes with expressive, expansive improvisations, which tend toward the more ambient and atmospheric reaches of his recent output.
Adopting Hermeto Pascoal’s concept of Universal Music, a rejection of nationalistic tendencies in order to express all of one’s musical influences all at once, Fabiano avoided leaning too heavily on any particular musical language, without denying his own musical roots.
Far Out Recordings proudly presents the new album from Brazilian guitarist and composer Fabiano do Nascimento.
Recorded at his home studio in Los Angeles (2020) Mundo Solo is fundamentally the sound of a man alone with his instruments.
Utilizing a variety of guitars, including 6, 7 and 10 strings, Oktav guitar and electric baritone guitar, alongside a host of pedals and synthesizers, Fabiano tracked imagined landscapes with expressive, expansive improvisations, which tend toward the more ambient and atmospheric reaches of his recent output.
Adopting Hermeto Pascoal’s concept of Universal Music, a rejection of nationalistic tendencies in order to express all of one’s musical influences all at once, Fabiano avoided leaning too heavily on any particular musical language, without denying his own musical roots.
Far Out Recordings proudly presents the new album from Brazilian guitarist and composer Fabiano do Nascimento.
Recorded at his home studio in Los Angeles (2020) Mundo Solo is fundamentally the sound of a man alone with his instruments.
Utilizing a variety of guitars, including 6, 7 and 10 strings, Oktav guitar and electric baritone guitar, alongside a host of pedals and synthesizers, Fabiano tracked imagined landscapes with expressive, expansive improvisations, which tend toward the more ambient and atmospheric reaches of his recent output.
Adopting Hermeto Pascoal’s concept of Universal Music, a rejection of nationalistic tendencies in order to express all of one’s musical influences all at once, Fabiano avoided leaning too heavily on any particular musical language, without denying his own musical roots.
